Obviously, there’s a lot of psychology to it. So a lot of her thoughts on women and motherhood actually make sense. BASINGER: I know. It’s the thing that actually got me out of Athens, because I entered the Junior Miss Pageant when I was a kid, and I won in my hometown. I’ve been so blessed to work with such great filmmakers and artists. BASINGER: Right, right. She could do anything she put her mind to. I don’t mean gratuitous, stupid stuff—I just mean in life in general. BASINGER: I don’t want to. [laughs] But a person like that has never once—and I mean this as a metaphor—looked in the emotional mirror and seen a reflection at all. I mean, if you look at this generation of selfies and selfies and selfies, it seems a little bit scary. It … MITCHELL: What did he say to you afterwards? I didn’t even know … Anyway, L.A. Kim Basinger. She has spent much of her professional life sandwiched between icons, working with Sean Connery in his last stand as James Bond in Never Say Never Again (1983), co-starring with Natalie Wood in the ’70s miniseries version of James Jones’s From Here to Eternity, baring flesh and sensibility to the proto-Fifty Shades of Grey debauch of Adrian Lyne’s 9½ Weeks (1986) with Mickey Rourke—while on the way to becoming a bigger-than-life figure herself. . That’s what happens. Buy a Pajiba T-Shirt at the Pajiba Store, White Lady Pretending to Be Black Has Been a NAACP Leader for 9 Years, Kristen Wiig And Will Ferrell's Lifetime Movie Trailer Is Everything We Hoped For. I WENT IN TO THE AUDITION FOR 9 1⁄2 WEEKS NOT KNOWING what I WAS GOING TO DO, AND I REMEMBER IT WAS JUST A weird, SEXUAL KIND OF SCENE, AND I WAS NOT HAPPY AT ALL WHEN I LEFT. Have you always been like that? BASINGER: No, I didn’t. So I just thought, “I can’t be one of those girls. I got in my car and called my agent and said, “That was the worst experience.” It wasn’t anything to do with Mickey; it was just one of the scenes out of the movie. I remember going to that meeting with the producer. MITCHELL: But she was finding her creativity in the household. That was a strange movie, so I don’t really have a lot of memories of that movie. In the same interview, he also defended his liberalism, partying and womanizing, saying, “Free love is usually the root and the vitality of the movement. You know how some movies—even movies you’ve done way before—they’re just clearer in nature. BASINGER: My dad was on cloud 21. BASINGER: Enormous. They have not a clue who you really are. BASINGER: Well, I do things every day for my birthday. BASINGER: I don’t know. With some people, that love of music is just buried in them. [both laugh]. Did you just inadvertently suggest that women’s power comes from having sex and babies? MITCHELL: There’s a real sense of living in the moment down there. Not that sequels have been an option for Basinger—as she mentions, she’s never appeared in one, nor has she ever been asked. Until you really see a real movie star like that … She was an extraordinarily beautiful woman. MITCHELL: Did you sing a lot as a girl? BASINGER: No, actually. Every time he said, “Action!” I would have to clomp across the room to answer when Russell came to the door. That doesn’t mean anything. He sent me an e-mail, though, to let me know that he was very pleased with the movie. Kim Basinger, the Oscar winning actor.Some people say “who cares” but my reason for discussing this is that quite a while ago I saw a documentary on anxiety, panic attacks, and agoraphobia that followed Basinger around. When that happened, he had seen, I don’t know how many girls, and I was told to come in and to do a scene with Mickey. After a glamorous modelling stint, she entered Hollywood in the late 70’s. MITCHELL: Was it more belief than confidence, then? [laughs] And that night, I walked out on the stage and sang in front of the whole high school. I know some roles are easier for certain people, especially when there’s the sequel and a third and a fourth one. It’s so funny because somebody said to me the other day, “Oh, Oprah’s planning a big party for her 60th birthday.” MITCHELL: Do you remember your first meeting with Blake? I found myself walking out onstage that night when I was a kid. I thank god I could do that because all the other kids were getting jobs doing other things, and when I got to New York, I was very blessed. My dad studied at the American Conservatory in Chicago, so he lived on all those streets. I used to go out to Wainscott on Long Island and stay with them. You have to trust the journey. kim basinger at the 'interview with the vampire' premiere at the mann village theatre in westwood, california on november 9, 1994. In his first interview in 10 years, producer Jon Peters claimed he had a racy affair with Kim Basinger. I mean, I just finished a project called Petit, which was directed by Anders Morgenthaler. Somehow this is a real piece of his world, his life—especially the way that we did it because it’s a telephone conversation. I like to see a driven kid, somebody who wants to come from the ground up. It’s amazing. BASINGER: It’s what we need to be doing. BASINGER: No. The 11th Hour (the movie, not the documentary) is about a successful businesswoman going to great, somewhat insane lengths to have a baby. Because she says this: WHAT? BASINGER: Well, she’s just a blatant liar—and a mess. My dad sang in the choir every Sunday, and I did as well. We were in that booth. And believe you me, Adrian was going to get those performances out of Mickey and myself no matter where he had to go. I had a similar thing with Blake Edwards. MITCHELL: The first time I saw you was in that TV remake of From Here to Eternity [1980]. Kim Basinger also talks about working out in the gym. There are so many things in this life that I want to do and I can’t do them all. But I would have loved to have seen him really go on that journey. I see kids, and they acquire things much easier today. I know I had to go to Cannes with L.A. He’s another one that surprises you. We were always kidding around, doing accents and all this kind of stuff. But he loved music that much. BASINGER: Oh, my god. She actually makes a couple of salient points before the crazy talk. BASINGER: I went to the University of Georgia for a year before I left, and then I went to live with Eileen Ford in New York for the modeling agency. I mean, there’s always been anxiety, there’s always been competition, but I think this is an anxious generation. You’ve done comedy, you’ve done movie-star glamour, and then you’ve also had these parts that have been really demanding and taken a lot out of you. BASINGER: That was her creativity. BASINGER: Oh, no, no. You can’t examine yourself? BASINGER: Which she was terrified of—and I’ll never forget that as long as I live. I mean, either you are or you are not, and I’m very aware of things. I wear bib jeans. Kim Basinger, 65, kept a low profile as she donned a casual baggy grey tracksuit during a trip to the gym in Los Angeles, California on Wednesday. MITCHELL: So what kind of stuff did you guys do in Athens? Kristen Wiig And Will Ferrell's Lifetime Movie Trailer Is Everything We Hoped For MITCHELL: But some of the big films that you’ve done have been these really glamorous movie-star-type things. Kim Basinger Talks "Nasty" Alec Baldwin Divorce and Its Effect on Daughter Ireland Their daughter had made headlines in 2007 when the actor … She was so far ahead of her time, wearing orange and pink and red together back in the ’50s. - kim basinger stock videos & royalty-free footage kim basinger on the event and her rescued dog at the 4th annual nuts for mutts event at pierce college in woodland hills, california on april 3, 2005. I fell so in love with My Fair Lady [1964] when I was a little kid. It was just a great, funny movie, and I was happy. Adrian coming out of commercials and photography before he started making movies … I mean, you talk about why people think of you in a certain way, and at least part of it must be because you’ve worked with all of these people who’ve made you into something that people want to see. So you go to some phony place to pretend and build whoever you are in that moment. You know, I started in comedy …. . I’ve written a lot of stuff for the guitar mainly. I mean, my dad did, and my mom … My mom and I were very close when I was a girl. I love to see somebody who wants to be the best they can be. Redford made me go watch myself at the opening of The Natural. MITCHELL: Are you happy with your career now? I appreciate that as a human being because you just don’t know what’s going to happen to this generation of kids. Save this story for later. I sat right next to Curtis [Hanson], and I looked at him after it was over and said, “Is that what we made? . MITCHELL: So what was it like when he made you watch the movie? My dad worked very hard for the money he made, and my mom worked very hard to keep this household up and running and all the kids fed and everything. Well, it was a wooden floor. BASINGER: I think that was a piece of it, yeah. She was a model, and she did a lot of things in her life, but she had no real ambition. Sometimes you just get complacent. BASINGER: It’s my favorite thing because you know what it does? I think you try to make people interesting. Andy Warhol signed in black marker. MITCHELL: Was it hard to say yes to 9½ Weeks? BASINGER: Yes. MITCHELL: So what’s your big birthday plan for the night? [laughs]. You’ve done so many different kinds of things. I mean, to me, we always had everything we needed, but we weren’t wealthy people. She accepts a marriage proposal from Paolo Gallmann, a man she doesn't know well, and she moves to Kenya with him and her young son to start a cattle ranch. It wasn’t anything that I was truly interested in. This is the “Oh, That’s How She Stayed Married To Alec Baldwin For All Those Years” interview. But, anyway, those were fun parts to kind of prance around in for a minute. Kim Basinger has always seemed vaguely, borderline Hollywood crazy. You just didn’t know what was going to happen. BASINGER: I’m very thankful that I’ve had such longevity and variety. The most of something that you can do sometimes is to be in the present doing nothing. But I don’t know how many of my movies I’ve actually seen or been to on red-carpet night. SEE ALSO: Leonardo DiCaprio for Interview Russia March 2014 The American actress and former fashion model reveals her inner peacefulness when framed by the legendary Craig McDean. I’m very sensitive to energy and people and life and animals and a lot of things. This is possibly their way of adding to the occasion: Basinger has taken time from her schedule to sit with me on her sixtieth birthday. It’s very difficult to describe, but it’s about a woman with a belief when no one else around her believes. She and I had a scene together, a short one, and it was near water. ELVIS MITCHELL: Did you grow up as a big music person? Interview magazine by Andy Warhol Kim Basinger. I’m just not a party girl. Oh, my god! 4/18/00 Photo by Evan Agostini/ImageDirect Alec Baldwin was in a "blur" for six years and said it was all because of his divorce from Kim Basinger. So Curtis would go, “Okay, Grace, can we lighten up on the feet?” Honestly, I was like a tomboy being dressed up in those gowns. I had rehearsed for the longest time. MITCHELL: I think they’re bulldozing it and turning it into condos. I would really be challenged with different levels of emotion, and I’d have to work with all those things and see where I was going to have to go to get them. You don’t always have to be doing something. That comes from searching for where you go to get that, where that river flows. I’d not seen Russell [Crowe] and Guy [Pearce] do all of that shoot-’em-up stuff. Of course, in this business, it means money—and a lot of money. You want someone to help you; you want someone to push you. It was kind of wonderful. It only goes to a higher place after you’ve gone to the depths where you think there’s a bottom—and when you find out that there is no bottom, it just rises up into this plume of euphoria. BASINGER: We shot most of Never Say Never Again there. MITCHELL: Really? BASINGER: He said, “We’re walking the red carpet, we’re going in, and we’re sitting down.” I went, “Uh-oh.” Because most of the time I just do the red carpet and wait until the lights go down and then I leave. . Shipped with USPS Priority Mail. BASINGER: I’ve been handled very well in that department. My dad loved music from the core of his soul.I don’t see a lot of my own movies . I remember I was late. BASINGER: Yeah. BASINGER: I just don’t have … It’s so funny, the roles we all play in this life. But that movie was where I discovered that there was no bottom. Each time you try to go a little further, get a little deeper, feel a little more, sculpt it a little better. While he was on Moonlighting, you did Blind Date [1987] together. Ever since I was a tiny little girl, I loved music and I loved to make people laugh—or I loved watching my dad’s face when he and I would be in front of a television. Directed by Hugh Hudson. The funny thing about me and birthdays or any kind of celebration where it brings attention to you in that way is that it’s never been anything that I’ve thoroughly enjoyed—even as a little kid. That has become my motto for years: trust the journey. MITCHELL: That’s got to be an interesting acting challenge. I’m recovering from pneumonia, and her concern rises with every muffled hack on my part. Just the sensibility, the salty air, the colors, the energy. MITCHELL: Did you get to meet the real author? KIM BASINGER- INTERVIEW MAGAZINE FEBRUARY 1986 ISSUE. MITCHELL: After From Here to Eternity, you were in Never Say Never Again [1983], the James Bond movie where the original James Bond, Sean Connery, comes back. Maybe she clarifies: OK, so she’s just spouting random nonsense. I did it with Paul, and I think it was a good choice because the timing would not have worked out. It’s so funny because somebody said to me the other day, “Oh, Oprah’s planning a big party for her 60th birthday.” And I said, “Well, that’s Oprah, and god bless her.” I’m all for anybody having a party who wants that. I think that was a symbol of just cut the crap and get on the horse of life that came riding in. Kim Basinger Gives Rare Interview About Daughter Ireland Baldwin and Overcoming Her Anxieties. My hair was all wet—I came from the gym. MITCHELL: Why did you think you weren’t right for it? Small rip on bottom right cover, slight fraying on bottom, see pics. My dad had even hired an accompanist to play for me on a piano. Basinger's financial difficulties were exacerbated when she pulled out of the controversial film Boxing Helena (1993), resulting in the studio's … I had met Liam years ago when he was married to Natasha [Richardson, Neeson’s late wife], so I really don’t know him well, but he was so sweet. MITCHELL: You’re basically talking to Liam Neeson on the phone the entire time. Because in the end, we’re all kind of fearful. When you were younger, you probably saw his movies, like Cinderella Liberty [1973] or The Rose [1979]. I mean, he would look at life today and say his life was truly successful because he’s proud of his kids. Luckily for us, she opts to take a really revolutionary stand on how women can change the world: KB: We’d all hold hands and say, “No more.” How about that? I’m just not a party girl. Paul knows this character beyond and he knows what he wants. I never really saw my dad as entertained as when he was just completely blown away by somebody on the television screen or at the movies. YOU’D THINK WITH ALL THE MAGAZINES AND the COVERS and THE SEXY STUFF, THAT THAT’S HUGELY A PART OF ME… BUT IT IS ALL SUCH PRETENSE. I don’t know whatever happened to the original Ambassador Hotel. Stars: Waleed Aly, Michelle Anderson, Kim Basinger, Gorgi Coghlan They don’t trust that there will be success, and you can’t think like that. Or that they are at times irrational, but aren’t able to identify with other people behaving irrationally? I think he became extremely frustrated … He gave his trumpet away, actually, to a kid on the street. MITCHELL: My parents are from Hattiesburg, Mississippi, and I feel like it’s an old Southern thing where people say that as a kid, you can be an astronaut or a ballerina or a singer, but as a grown person, you need to go and get a job. Kim Basinger. SO I just THOUGHT, ‘MY GOD, I CAN’T BE ONE of THOSE GIRLS. She is absolutely, totally bankrupt about herself. So I went in to do that not knowing what I was going to do, and I remember it was just a weird, sexual kind of scene, and I was not happy at all when I left. So I came from comedy. Was it? BASINGER: Oh, yes, of course. I have to say, one of my favorites films you’ve done has always been Nadine [1987]. Confidential (1997)—giving up time on her birthday in order to discuss a career that includes her newest project Grudge Match, the meta-comedy reuniting Sylvester Stallone and Robert De Niro as a pair of presumably retired professional boxers climbing into the ring for an equally presumable final match, sequel possibilities not included. Didn’t they sell it? In 2018, Kim Basinger sat down with Interview to look back on the in-depth chat she'd had with the magazine almost two and half decades earlier, … In an interview with the New York Times ahead of the film's release, Roberts said of Nolte, "From the moment I … BASINGER: I think it’s sort of been my way in the world for most of my life. When you are a family that has five kids—and usually there were two others living with us or staying with us—there is a lot to be done. MITCHELL: You never saw it because the material would be hard to watch? BASINGER: No. In the Net-A-Porter interview, Basinger joked about their fateful meeting. And the importance of having more female representation in film: All reasonable, right? I was very proud of the movie, though. BASINGER: I play the piano some. And smart and talented, and his wife was wonderful. You know, I’m not the biggest social butterfly in the world, but people don’t know you. I don’t care if fear is involved—and there had been a tremendous amount of fear at times. Honestly, they could have taken the rest of the night, with all the other divisions and stuff we had to do, because after I sang that song, it got out of me. Kim Basinger was born December 8, 1953, in Athens, Georgia, the third of five children. ELVIS MITCHELL IS INTERVIEW‘S SPECIAL CORRESPONDENT. We all have fears and insecurities and ups and downs. BASINGER: You know, I had never seen a Bond movie before I did that one. You’re not thinking ahead. In a 2016 interview … I’m me, and the character is her, and I don’t want to look in her world if I’m still going to have to be her. It sort of just spells out, “Fuck it.” You know what I mean? So we shot in this very famous house in Hollywood, and I wore these heels out of that era. BASINGER: Oh yeah. I said, “I could never …” I got totally thrown off and totally upset. My father strictly loved music. It’s tough to imagine any other Oscar winner—Basinger picked up the award for Best Actress in a Supporting Role for her turn as the glam hooker who trades on an outstanding resemblance to iconic ’40s pin-up Veronica Lake in Curtis Hanson’s adaptation of L.A. BASINGER: Oh, he’s a lovely man. MITCHELL: Do you feel like you don’t see that kind of direction and motivation in kids nowadays? But your trials and tribulations, if they come when you’re young, you’re very lucky because then you learn. I DON’T SEE A LOT OF MY own MOVIES . What was he like? I mean, my god, she made everything we wore. BASINGER: It was just an on-going belief and faith that this is where I was supposed to go, where I was headed, because I had to do this thing. Her mother, Ann Lee (née Cordell), was a model, actress and swimmer who appeared in several Esther Williams films. What are you doing? Walk in the mall—I just want to say, “What is all this stuff?” More, more, more, more. I cried in the car on the way home. I got to meet Natalie Wood. We need to listen more, to hear the silence and live in it. But what’s evident from spending time with her is how easily she accesses her empathy; she feels every moment she speaks of, be it the potentially deadening aspect of complete access to everything that kids have or her father’s denial of his own artistic pursuits to support a family. Women would know our “power”? MITCHELL: You’ve worked with a lot of writer-directors. She just never had any aspirations to be in the movie business. Although, I don’t see a lot of my own movies. Kim was introspective, from her father's side. MITCHELL: That started in Baltimore, those guys. BASINGER: I mean, with film all over the place the way it is today—they show them on HBO—you can’t help but see them as you cross the room. Is she saying that men aren’t irrational? BASINGER: I sang it in an English accent. He’s a good director, a very talented guy. I mean, in the days before R.E.M. Both her parents had been in entertainment, her dad had played big-band jazz, and her mother had performed water ballet in several Esther Williams movies. MITCHELL: You worked with Benton when he was coming off of Kramer vs. Kramer [1979] and Places in the Heart [1984]. I could easily understand that. I think so. MITCHELL: You didn’t like your birthday as a kid? That was a hurdle for me to get over. It was really just an intuitive knowing, and you don’t back down from that. BASINGER: I don’t know. As a young actress, I had great love for Robert Benton—as a director and as a person. What are they doing? Until her recent Elle interview about her new movie The11th Hour. Where do I go to get this?” It’s such agony trying to figure out where it’s going to go. I don’t move in the world like that.” You know, I’m more bare-footed Rastafarian, crazy.
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